In a new series for B365, we'll be chatting to up and coming artists who are taking design to new heights. First up is Luke Standing, who is perhaps better known as one of the promoters behind Bristol's premier dubstep night SeasonFive, as well as being a incredible producer and DJ. Luke is an emerging talent who has already been responsible for some key work in the Bristol dubstep community, and is quickly developing into one to watch for the future. We caught up with the man himself recently for a chat.

B: Good Evening sir, how are you tonight?

L: Very good thank you, another day done in the office and excited about the weekend!

B: LOL. What's new in the world of Luke Seasonfive at the moment?

L: Well we've just had our Hessle Audio feature at the Tube gone past from Saturday, a nice introduction to the new student clubbing. We had Untold and Pangaea playing for extended sets, it went down very well indeed - lots of people, good vibes, good music! Just finishing the programming for the rest of the year and the start of next year. I'm currently working for a design studio called Halo in Bristol at the mo which is going well, lots of exciting projects which I'm enjoying a lot.

B: Does it leave you much time for personal projects now?

L: Ummm, in some ways yes and no. I'm also working freelance, but I've been quiet picky about what things I will undertake. I still have time to keep on top of things in the design world!

B: Where does your love of design originate from? Is it something that's always intrigued you from growing up, or have you come to it relatively late?

L: I suppose it's been a natural thing in my life from when I was very young. It sounds weird, but I used to love to draw despite my strengths being in other places now. I guess when I first got into stuff like that it was when I won an art competition when I was 7 and won a crayola set lol! I even used to keep a pencil and paper under my bed.

Since then, I undertook on creative subjects like art and graphics (more like packaging design) at secondary school and then photography and art at A-level. That's when I first started to use Photoshop. As well as this, I used to write graffiti pieces in legalised areas in Brighton. The aspect of image manipulation really excited me, and it was very motivating in the progression of learning computer design.

B: So the potential with platforms like Photoshop and Illustrator became a progressive step to where you are now. Without software would you still consider yourself an artist though? I feel there's a lot of people who rely solely on computer design whom lack some of the understanding more traditional artists might bring to a project.

L: I would still consider myself as a designer and artist regardless of what platform or media in which I work. I guess in a way programs like Photoshop, Indesign and Illustrator have allowed me to free my hand of weakness. These tools are often interfaces which I use on a daily basis and are what is often happening right now for me in the majority of projects in which i work with, but it is also a means to an end in a way with design nowadays. It's the most efficient way of producing artwork.

However, I do very much appreciate the different qualities of using tradition ways like type-setting and screen printing. I have used these methods of producing work successfully. Much of my work during my degree was based on screen printing and laser cutting. I believe there is a right method for every project.








Seasonfive Brand Identity, 2009

B: Speaking of which let's chat about some of your own work. Seasonfive has had a very strong visual look from day one, which seems to fit the musical content extremely well. Over the years we've seen a definitive evolution in the pieces you've created for the night. What was your thinking behind the concept for this?

L: I think a strong branding concept behind anything visual is the key to success. I wanted to create a look which people could relate to and would compliment the music of the events. The look and feel of these designs has been a learning progression of myself as a designer as well. I'm always trying to create something better than before. It's like a challenge within myself. It's great to see people recognize and appreciate the artwork for SeasonFive. It's really important to me that SeasonFive has a strong visual aesthetic and continues to do so.

B: You've also been responsible for working with Hyetal both in a musical and visual vein. The branding you created for him feels like an extension of the SeasonFive aesthetic, would you agree?

L: I think Hyetal has his own image as an individual artist, however I can see how people can relate Hyetal and Seasonfive visually. As Seasonfive, we have helped support his own achievements and provided an extra platform for him in the Bristol clubbing scene. I have helped develop designs and ideas in which he had initially, and helped encourage how he presents himself as an artist in someways. We're very proud to see how much he has achieved and he has our full support.






Hyetal Brand Identity, 2009

B: The Hyetal triangular logo has been widely used now in lieu of a press shot. What was your thinking behind that piece as a brand?

L: The abstract triangle shape was actually found by Hyetal. He came to me and asked me to create it. I simply recreated the image digitally and styled it appropriately. I'm glad people like it. I think its very suited to his music and his personality. Good find Hyetal!

B: Geometric shapes, geometric music! Similar in concept to your work on Morality In The 21st Century...

L: Umm...yes! Basically, Morality in the 21st Century was a project which I undertook whilst completing my degree. It's more about statistical information or data being visualized based on opinions of a group of people under subjects which are current world issued.




Morality in the 21st Century, 2009

B: Why did you choose that as a subject to visualise?

L: I think world issues have always interested me. I think I'm very responsive of certain topics in which we live with. Seeing as I had already chosen the subject matter of "conflict" to base my work around, I felt it was the right choice to look wider into world issues. It was very motivating as a project base and I felt it could have a strong relationship in a graphic form.

B: And contrast and conflict are major motivators in your work? Horizons is another piece incorporating contrast...

L: Yes I think conflict generally has a strong image whether it may be working just simply with black and white. For this project, I wrote a piece of music which reflected my current music interests. I tried to express light and dark tones within certain sounds which was really stripped back and represented those two elements alone.

I then graphically visualized the track along a time line using shapes to represent sounds over the space of time. Alongside this piece, I developed the design right through to the end, resulting in a full product which incorporated designs on the sleeves of the record which were cut on vinyl and a supporting poster. The packaging and branding of the product was taken in to consideration with the music, with detailing of laser cutting and screen printing.





Horizons 'A Conflict Of Light & Dark', 2009

B: Was this just created as a mock-up or an actual product?

L: Well this was actually a one off! However the track has now been signed to a label called Project Squared, and should see a release in mid-December if not early next year. There are discussions of replicating a limited amount of copies for sale from the label but this is still in contemplation as the production costs would be very high.

B: Music is an integral part of your creative outlook, both as a designer and a producer. Would you like to design for record labels and so on?

L: Yeah I find music and design both equally inspirational. When I get the chance to combine the two is when i find an equilibrium, Horizons being a perfect example of this. Designing artwork for labels does interest me and I would be happy to undertake the right projects. I even have plans to start my own label in some time in the future.

B: Under the Seasonfive brand?

L: We'll see..it would be interesting to start a new project with a new image also, so we will see!



Accept & Proceed Light Calendar, 2009

B: LOL fair enough! So let's talk about your influences. Accept and Proceed factor quite highly in your inspiration...

L: Yes definitely, they have been an agency I've had my eye on for a while now. I was really inspired by them typographically alongside another agency called Build. But their information graphics have been an initial drive for me to experiment myself.

B: Do you draw influence from less immediate factors? Your work is very reminiscent of Peter Saville's early work...

L: Yep I love Peter Saville, its weird you have picked up on that! In fact I have the Unknown Pleasures cover poster in my room. The monochrome approach and very airy negative space with simple type is very appealing to me. I wouldn't be surprised if Accept & Proceed have been very inspired themselves, as I can see references and similarities in their work. Its easy to pick up on things that are visual which you are exposed to.



Peter Saville, 1979

B: Something that seems a recurrent theme in your work, and the work of others you find inspiring, is product. Does the potential of the art of the commodity, the consumable, fascinate you?

L: It's always possible to re-contextualize existing imagery for your own means. Part of the progression with art in general today is to re-innovate and pioneer new means to design using existing forms and given them a different purpose and meaning. However I don't feel this is solely my design ethic and I'm still interested in developing original pieces which create their own context.

B: But the lines I feel between artistic disciplines are irrevocably blurred now - it seems all aesthetics are bled into the mainstream of commerce. How do you see yourself as standing out as an artist, how do you find your voice in an increasingly over-populated market?

L: I like that art has got many cross references now. Obviously it is difficult to find an individual voice in such an over-populated sea. I think that the best way is to follow your own vision. This is not to say that I'm not influenced by work that's come before me, but i would say that as an artist I will try to create an individual space by representing myself as a person and reflecting my interests and life experiences within my work.

B: So what does the immediate future hold for you? What have you got lined up over the next few months?

L: Obviously continuing the brand development of Seasonfive. Working at Halo in Bristol is allowing me expand my knowledge and understanding of graphic design, and is really benefiting me with commercial experience. The idea of starting a label is a future possibility too. Spending more time in the studio making music. The main thing though is to focus on developing myself as a graphic designer.

B: A development that is going well already! Well that wraps up things for tonight, anything you'd like to add?

L: Just to say thanks very much for your interest in my work and taking the time to interview me. I really enjoyed answering the questions its nice to talk about the concepts to give people a better idea where it comes from!

B: No worries, thank you for agreeing to do it!

FFI : Luke Standing Online Portfolio

Well it seems like an eternity but the Easter weekend is finally here and there's a hefty load of fun times on the horizon, and here's some juicy morsels fresh from the B365 inbox for your enjoyment.


This rather stern-looking gentleman is none other than Gecko of Kingpin infamy, one of the best and brightest club nights in Bristol for some time now. Gecko has been cultivating a production habit for a hot minute, and has very kindly donated up two tracks for your perusal: Aye Kalimba is a stipped down techno bubbler with flashes of melodic genius, whilst Cape McClear has the wonky vibe in abundance with skittering percussion and oscillating frequencies. Both have the hallmark of a sound rooted in the playful heyday of techno's early years - and all the better for it.

DOWNLOAD : Gecko - Aye Kalimba
DOWNLOAD: Gecko - Cape McClear



Another hotly-tipped producer making waves locally is the remarkably named Pip-Bwoy 3000 whose brand of jacking fidget funk has already been snapped up by record labels, so keep an eye out for release soon. In the meantime, cop some of his quality mixes from his blog, and make sure you stop by to say thanks.

Mix One Tracklist:

MIX ONE

FREAK FU & MUZA YAKUZA - BLOW
CALVERTRON VS BANGA - LIKE DAT (2 BIT THUGS REMIX)
JAMES COCOZZA - GARF (DOPAMINE REMIX)
MIGHTYFOOLS - HEY BABE (ELECTRIC SOULSIDE REMIX)
MARK TROPHY - SHAKE IT
CHRIS JAMES & LEE DEARN - TORCIDA CUMBIA (MIGHTYFOOLS REMIX)
THE PRODIGY - EVERYBODY IN THE PLACE (AC SLATER REMIX)
KYLE WATSON - JACK MY WOBBLE (DEFUNCT REMIX)
UNKLE - RESTLESS (FAKE BLOOD REMIX)
HOSTAGE - SHAKE IT
JELO - AWESOMESAUCE (TWOCKER REMIX)
PIP-BOY 3000 - WHACK-A-MOLE
DJ ZINC & DAVE SPOON - GHOST TRAIN (LEE MORTIMER REMIX)
ESCOBAR & VITO - ON A BADMAN TIP (MICKY SLIM REMIX)
TWOCKER - RUFFNECK
AC SLATER - JACK GOT JACKED (JACK BEATS REMIX)
PIP-BOY 3000 - RUNNING WITH SCISSORS
JAK Z & SCOTT COOPER - MOVE YA (TOM EQ VS HIJACK REMIX)
CHRIS LAKE & MICKY SLIM - SHAKE
BOY 8-BIT - FOGBANK (JACK BEATS REMIX)
BAOBINGA & id - MACHINE (AQUASKY REMIX)
STUPID FRESH - GRIP YOURSELF
DON DIABLO - TOO COOL FOR SCHOOL
PIP-BWOY 3000 - BOBBLEHEAD

Mix Two Tracklist:

Beaudamian - Give Me Jackin
J Caprice - Pass That Jack
Dopamine - Spunk Tom
EQ - Skewer (Kyle Watson Remix)
Beaudamian - Wanna Be With You Everytime
Kayne West - Love Lockdown (Santiago & Bushido Remix)
Jesse Rose - Touch My Horn (Mad Kids Remix)
Twocker - Ruffneck (Riva Star Remix)
Ursula 1000 - Zombies (Hijack Remix)
Loveys & Yusuf - Insects
Burial - Archangel (Boy 8-bit Remix)
Sasha - Xpander (Deadmau5 Remix)
High Noon at Salinas - Celebration (Global Experience Remix)
Elite Force - Peyote Road (AMB Remix)
Gary Jules - Mad World (Stefan's Journey Into Madness Mix)

DOWNLOAD : Pip-Bwoy 3000 Mix One
DOWNLOAD : Pip-Bwoy 3000 Mix Two



B365 favourite Kallendar has been hard at work in the studio again, with another quality production in the guise of Lost Day, a cinematic downtempo joint that is proof again of this artist's growing confidence in his abilities. Don't sleep!

DOWNLOAD : Kallendar - Lost Day



Meanwhile, Kallendar's partner in crime Jackov has made his first move into production with his first track The Plan, and for a debut it is startingly good. It's with a great deal of happiness that B365 sees two of it's favourite DJs take leaps and bounds into new sonic realms and long may it continue.

DOWNLOAD : Jackov - The Plan





Entertainment this weekend is in abundance but for B365 the ever-reliable Triptic will be the place to be this Friday, with an exclusive techno set from the fast-rising superstar Jackmaster.



Saturday is all about the compact and bijou rave-up, and where better to get your freak on then the Tube with the finest in all things bass from Seasonfive?



Then on the Sunday its all aboard the good ship Thekla for some beautiful bassweight courtesy of The Blast and Ruffnek Diskotek. Enjoy the weekend!

Well its been another week of interesting developments all around Bristol so let’s get down to it with a little round-up of the more tasty morsels.

One of Bristol’s most talented up and coming artists Rory Doona has submitted a piece of artwork to Capcom’s Street Fighter 4 design competition. If he wins, his design will be featured on a huge amount of promotion, and it would be great to have Rory receive wider recognition.

Here’s his submission:


And here are details on how to vote for it:

Click here to vote for Rory's artwork



You can catch Rory drawing live tonight (Tuesday 10th March) at Weapon Of Choice alongside Dylan Shipley. Get yourself down there and show your support!



Whilst we’re on the subject of art, the Crimes Of Passion show kicks off at the RWOE Academy on the 20th March. We’re telling you this now, because spaces are limited for the opening night so get in touch now to book a place and avoid disappointment. In their own words:

“This Spring Bristol’s oldest and grandest gallery, the Royal West Of England Academy is throwing open all 5 of it’s galleries to host a major show by 50 of the city’s best known and most successful graffiti and street artists. This is the first major show of its kind in the city since the Arnolfini’s groundbreaking 1985 show, Graffiti Art and is a full-blown celebration of the city’s rich and diverse contemporary scene.

Bristol has nurtured many of the UK’s most successful graffiti and street artists, including 3D, Inkie, Banksy, Nick Walker, Sickboy, Cyclops and TCF Crew, to name but a few. The city continues to be a breeding ground for a wealth of exceptional creative talent and continues to have one of the UK’s most diverse and thriving scenes.

Crimes Of Passion takes the love of (and heartfelt dedication to) the art form as its starting point, but is far from a typical gallery retrospective, all the artists will be showing completely new work, as well as installation pieces and working both directly onto (and into) the walls of the gallery.

Crimes of Passion will also include a citywide programme of large-scale painting, a photographic exhibition, a film season at local arts cinema The Cube (www.cubecinema.com) and a series of workshops and talks.

Exhibition venue:
Royal West of England Academy, Queen’s Rd, Bristol

Exhibition dates:
21st March – 2nd May


Artists:
3Dom
45rpm
Acer
Andrew Council
Cheba
Cheo
China Mike
Cyclops
Dan
Dicy
Dora
Eco
Epok
Feek
Filthy Luker
Flx
Ghostboy
Haka
Inkie
Jody
K148 (photography)
Kai One
Kato
Lokey
Mag1c
Milk
Motorboy
Mr Jago
Mudwig
Nick Walker
Paris
Poer
Ponk
Richt
Rowdy
Sainty
Sepr
Seza
Sickboy
Silent Hobo
Soker
Sums
Tom Hine
Voyder
Will Barras
Xenz
Yaka
Ziml


Opening night:

Due to expected interest and capacity at the venue the opening night on Friday 20th March is invite only – please email stealfromwork@gmail.com if you’d like an invite.”



Switching it up to music, there are plenty of juicy treats available this week for the sonically adventurous. First up, Appleblim’s podcast for Rinse FM from February is now available for download. A stunning mix of music from one of the true masters of the genre, it’s a must have.

Tracklist:

1. incognito - out of the storm - carl craig remix (talkin loud)
2. dizzy gillespie - long long summer
3. candi staton - evidence (honest jons)
4. grace jones - private life (island)
5. the extras t's - E.T. boogie (sunnyview)
6. gabor szabo - mizrab (impulse)
7. roni & die - jazz note (full cycle)
8. aquarius - drift to the centre (looking good)
9. maze - twilight (capitol)
10. the jones girls - nights over egypt (tsop)
11. aeroplane - caramellas (eskimo)
12. mike monday - swivvety (simple)
13. equalized 002 - (hardwax)
14. roska - (roska kicks and snares)
15. shed - another wedged chicken - martyn remix (ostgut ton)
16. sigha - expansions - hotflush
17. joe - rut - (hessle audio)
18. joe - untitled - (dub)
19. 2562 - kontrol - (tectonic)
20. headhunter - dark room head down - (dub)
21. scuba - tense (hotshore)
22. pearson sound - plsn - (dub)
23. geiom - lame car - (wigflex)
24. untold - can stop this feeling - (hessle audio)
25. ben klock - gold rush (ostgut ton)
26. mr lager and alys blaze - tell me (sub freq)
27. boxcutter - ?? (kinnego)
28. pangaea - memories (dub)
29. beat pharmacy ft. paul st. hilaire -
nuclear race - komonazmuk & appleblim rmx (dub)
30. the black ghosts - full moon - komonazmuk & appleblim remix (southern fried)

Download : Appleblim – Rinse FM Feb 2009 Podcast



Speaking of true masters of the genre, Jakes has another monthly mix available for download too – and it is a sure-fire banger to the core. Get on it!!

Tracklist:

1. ROCK THA BELLS VIP.
2. TROUBLE AN STRIFE.
3. JA NO.
4. URBZ.
5. WATCHERZ.
6. MARZ ATTACKS.
7. MUGEN (LUKE ENVOY) - JAKES RERUB.
8. CUPID (UNFINISHED) teased with HIM IN THE CORNER.

Download : Jakes – Feb 2009 Mini-mix




Central Spillz have some new material up on their myspace. It never ceases to amaze us the amount of hard work this crew puts in and the rewards are just starting to come their way. Three new amazing tunes up so go check 'em out.

Check : Central Spillz Myspace



It’s been a good week for fresh and free music too, firstly from local reprobates Michael J Rocks have contributed to a free EP of music also including The Teknoist and Randomoidz, courtesy of Ninja Columbo.

Download : Ninja Columbo ZombFree EP



Also available is the charmingly titled Pigeon AIDS EP from leftfield merchants Pins & Dubs. Amalgamating genres and sounds into one big knockabout sound, it certainly makes for interesting listening.

Download : Pins & Dubs – The Pigeon Aids EP



Friday 13th may be unlucky for some – but not for Bristol’s clubland. As we’ve mentioned before, we’ll be running the second room this Friday at the newly-opened Basement 45 (formerly the Mandrake) for Empathy, so if you’re not one of the squillion people attending Bloc this weekend, come down for some quality beats!

Room2 – Byte : Bristol 365

POLESTAR Live (Glitchnight)

[SIC] (Drain Records / Dropkick Music)

KELLY TWINS (UFO/BYTE)

ANDY PAYBACK HIFI

DAVE KIRIK (Celebrating his Birthday)


If techno is more your thing, then head on over to Dojos for the ever-excellent Triptic as they have Swayzak as guests this month. Remember they run until 7am so there’s plenty of time to attend! In support is Buoyancy crew Lukas and Justin Gettings aka JG Alim.



Also on Friday is one of Bristol’s best nights for showcasing Bristol talent – Liquid Lounge. As always it’s on at the Croft, and this time round they have another quality line up as you can see.



Saturday’s pick of the action has to be Season Five – this crew is making leaps and bounds in pushing the most forward-thinking sounds in both Dubstep and D&B. This month they have a hot booking in versatile producer Breakage – as well as up and coming producer Untold. It all goes down at the Tube from 10pm on Sat 14th.

As a final note, keep an eye on the vastly improved Headfirst Calendar for updated listings in and around the Bristol area.

Check : Headfirst Calendar

OK so the New Year is well and truly underway and your NYE hangovers and comedowns should hopefully be settling nicely on a sea of remorse and shame. As you rue your dubious actions over the festive season, why not take some time to have a gander at BUG's Pick Of The Week?





Get your lookin' balls wrapped around these lovely designs, all courtesy of HIGHRISE CLOTHING the local garms merchant run by your friendly local records merchant Chris of ROOTED RECORDS fame. Not only does the website have lots of tasty Tees to purchase, it also has a fairly indispensable blog attached to it which has loads of exclusive content including mixes from some of the Bristol dubstep cognoscenti (some of which BUG shamelessly purloined for over here too). Thank you Highrise!


Any local graf heads out there will have already clocked this mighty tome's release, a celebration of Bristol graffiti from the last 25 years. CHILDREN OF THE CAN contains some eye-popping street candy as well as a fascinating journey through the changing attitudes and fortunes of what is still a much misunderstood art form. Head over to HERE to grab yourself a copy.



Whilst we're on that tip, you could do a lot worse than to head over to Awkward's new blog Mega Mega Mega which contains some intriguing global wreckage and B-Boy antics as you would expect from one of Bristol's leading hip hop soldiers. Top stuff.


If you're still up for some club action despite the winter chill, credit crunch and general post-Xmas malaise, then BUG's recommendation for this weekend start with the formidable Season Five offering you a veritable sonic smorgasbord of up and coming Bristol dubstep talent, many of who have been featured on this here blog. Phaeleh and Hyetal you know will destroy this; but the remainder of the bill are hardly slouches when it comes to rocking a bassbin or two.

SEASONFIVE
10.01.09
10pm - Late. Saturday 10th January, The Tube, Bristol
Phaeleh Cool and Deadly // Urban Scrumping - Live
Superisk Sureskank // O.M.G.
Hyetal Formant Recordings // Seasonfive
Snugfelix and Furesshu Seasonfive
FREE B4 12AM // £2 AFTER


As for Friday get yourself up to Dojos for an all-night techno session for cheap as chips entry. Triptic was one of the stand-out nights in 2008 and the residents played an important part in shaping their direction, all of whom are quality DJs. Well worth a fiver we think.

TRIPTIC
11-7am@DOJOs, Park Row, Bristol
09.01.09
LMB
Dan Reilly
Sam Wilson
Mike Swift
£5/£4 NUS


If the weekend really can't come soon enough for you, then hit the bricks on Thursday for PENGUIN DANCE'S deranged offspring Naughty Little Brother. They've got the DMC champ JFB down for some scratchtastic action as well as dubstep DJ TIME and the Penguin massive, all for £3! Bargain!

NAUGHTY LITTLE BROTHER
08.01.09@ The Tube, Unity St. 10pm-late.
JFB (07 DMC champion/Battlejam)
TIME (Scratch badman)
DIY (Not a plummer)
SPREE AND RAM (Booze and biscuits)
£3 b4 11/ more after. Free biscuits

BEST CLUBNIGHT 2008 - RUFFNEK DISKOTEK

2008 was the year where the culmination of four years hard work seemed to really pay off for Ruffnek Diskotek. The brainchild of DJ Dub Boy, Ruffnek has always been about the love of music first and foremost above all other considerations; with an esoteric attitude to its bookings and a consummate approach to the inclusion of both local and national names, it’s fast becoming a much-loved institution in Bristol.

Perhaps one of the questions that remained unanswered until 2008 was if they could translate the success of their smaller events to a larger scale venue; it’s the barometer of success that marks the evolution of most nights. They’d tested the waters this year hosting rooms at Motion for other nights, but going it alone is a whole different matter. When it was announced they’d be teaming up with the Fire crew for a massive rave at the Black Swan for the debut Monster Bass night, the line up left few in doubt they meant business – and ultimately led to a hugely successful party which cemented their reputation.

From their Bristol underground community nights at Cosies to their cutting-edge parties at The Croft and now tackling the big time raves too, the ongoing rise of Ruffnek Diskotek is assured. Simply put, Ruffnek Diskotek is all that’s good about Bristol. We caught up with promoter Dub Boy for a quick chat.


B: How's 2008 been for you?

D: A blur! Lots of good times, lots of late nights and lack of sleep, lots of hard work. 2008 has been a great year for me professionally. RD’s gone from strength to strength and I feel I’ve stepped up a gear with my DJing and been able to play some great gigs. The success I’ve had with music in 2008 has allowed me to start working part time in my day job, which is a real achievement as far as I’m concerned. But life is all about balance. What one hand giveth the other taketh away. I’ve been so busy working this year my personal life has suffered a lot. So I’m still trying to find the right balance between the two.

B: RD is now one of the most successful and longest-running nights in Bristol for providing bass-heavy music. When you started did you have any idea that it would become so popular?

D: Nah no way! I started RD because no one else was putting on events that were playing the mix of music I wanted to hear. So it was for pretty selfish reasons really ha ha! When we started I was programming Dubstep & Garage DJs as the main acts with Dancehall, Jungle and so on in the second room. Everyone used to complain that the Dubstep was too slow and it was boring and so on, and I should put the Dancehall & Jungle on in the main room. I’m very stubborn though and basically knew I was right so stuck with it.

I’ve never been interested in being popular though - my main motivation is to play and promote music that’s good, and that pushes things forward. Popular music is usually rubbish because it has to compromise itself - I’m all about the niches. So yeah, very surprised we’ve become this popular as our approach is totally uncompromising. It’s fantastic that we’ve become so popular without having to compromise ourselves. To me that’s a huge achievement.

B: Tell us some more about the RD history and how the nights came about.

D: The first party we did was in Feb of 2005. I’d met Beavis, who had a small soundsystem at that time. We put on a little party at Take5 on Stokes Croft which was great fun, and had a few of our mates down to play just for a laugh. We played what we play now basically - dancehall, dubstep, jungle, reggae, bit of electronica, some hiphop. Just a mash-up of bass-heavy soundsystem music. Originally I had thought of that as just as a one-off for fun.

Anyway it was my 25th in the August of that year, and after having so much fun with that first party I decided to have another one for my birthday. I’d had this name ‘Ruffnek Diskotek’ in my head for a while, so decided to use it for my birthday party. That’s how RD was born. We had about 170 through the door on a Thursday night in August, which was a total surprise. And then people started to ask when the next one was…so it just went from there. The whole process had been completely organic and totally unpremeditated.

B: What have been some of the personal RD highlights for you over the past few years?

D: Gosh, there have been a lot! Musical highlights are endless but special mention has to go to Peverelist in Oct 07 - an amazing set where he made a great impression on loads of people who hadn’t seen him play before. Pinch said on the night it was the best he had ever seen him play. Monster Bass in October 08 has been the best party we’ve ever put on, that was an incredible night with Mungo’s Hi-Fi on top form. I also really enjoyed The Heatwave & Rubi Dan whenever they’ve come to play - Gabriel Heatwave is my favourite DJ.

It’s difficult to single out musical highlights though, because the music at Ruffnek is always so good. Personal highlights include Monster Bass, our 1st birthday party, our linkups with [dissident] @ Clockwork and the Swanny, Jokers mum rewinding all his tunes down Cosies (LOL!), meeting loads of great people (DJs & punters alike), the very first party at Timbuk2 and of course being voted top club night in 2008!

B: How do you feel about the misappropriation by others of terms like "bashment"? It seems everyone is keen to stick it on a flyer but they dont actually rep that sound.

D: Hmmm interesting question. Bashment for me is two things. One, it’s a term for a party…a bash! But as it’s a Jamaican term so therefore the implication is that reggae & all its facets (and genres directly influenced by it) should be a major part of what is played. The other definition is of course the style of music. To me bashment is almost a post-dancehall style. It’s usually pretty fast and is quite clearly influenced by electronic dance music, Hip Hop & other non-Jamaican styles. So if you’re gonna put bashment on a flyer, you should really be playing bashment or at least something with it’s roots in reggae music.

To be honest I think people are sticking it on flyers because it’s just a cool word to use at the moment, and they think it will help attract custom. It seems they don’t actually know what it means. I’ve been to a few nights where bashment is on a flyer and I don’t hear any reggae or even any music influenced by it. It doesn’t annoy me particularly. Nobody ‘owns’ the term, so really people are free to use it as they want, whether they know what it means or not.

I consider myself a bashment DJ, though and my night is a bashment, so if you want to get to know what it’s really about then come and see me play or come to Ruffnek Diskotek! I play a very eclectic range of music, as does RD, but the foundations are always in soundsystem & reggae culture - hence why it’s always bashment. Others may well disagree with me about my thoughts here, but that’s how is see it.

B: How do you feel the local scene (and overall UK music scene) has changed in the last few years? Is it easier now to push these sounds then it was say four or five years back?

D: The Bristol scene has been amazing over the last few years! The main change is clearly the influence of Dubstep. It has allowed a lot of young producers & DJs to make their mark in music. Things had become quite stale, so the last few years have been very exciting. The challenge is to keep pushing forward and keeping things fresh. It seems Dubstep is falling into some of the same traps D&B did. There’s loads of great music being made, but as it’s become more popular the pressures from that have resulted in less experimentation, DJs having to play ‘bangers’ all the time.

What we’re trying to do is to keep peoples minds and ears open, which is easier said than done! So yeah it’s easier to push the sounds these days to an extent, but it’s still just as much as a challenge to push interesting, forward thinking music. The major change I feel has been that genres and styles are less pigeonholed these days and there is a lot of crossover, much like back in the Wild Bunch days. So it’s nothing new, but it’s great that that approach and attitude is so accepted at the moment. For an eclectic event like RD that’s obviously really helpful.

B: What does RD mean to you?

D: It’s my baby!

B: Where do you see the future of RD going?

Well more parties in the immediate future. We have our Bristol Bassmusic monthly at Cosies on the penultimate Saturday of every month there. They are always great sessions where we can play all the stuff we’re loving at that time, and it gives us a great platform to put on all our favourite Bristol artists.

Also there are gonna be more parties at The Croft & the Black Swan soon. I’m also very keen for us to keep getting bookings as Ruffnek Diskotek DJs or the Ruffnek crew. We are playing music no one else in Bristol (and beyond) is. We have in-house producers and great links with other producers, so we’re playing original material, dubs & exclusive tracks and are ‘artists’ in our own right. I would like us to start playing beyond Bristol and hopefully get involved with programming & performing at UK & European festivals.

Hopefully In the future we are going to be much more than a club night. 2009 will see the start of our label ‘Steak House’ as well. I might even finally get round to making some RD t-shirts and stickers ha ha! The hard work starts here!

B: What would be your dream line up?

D: Bob Marley & The Wailers (before they signed to Island)
The Clash
King Jammy’s Soundsystem (circa 1985)
Nirvana
Dennis Brown
The Specials
Smith & Mighty with all the singers & players
King Tubby’s & The Firehouse Crew featuring all the Waterhouse singers
Orbital
Blur
Me!

B: Give us a top 5 (of anything).

D: Shabba Ranks tunes…….

1. Get Up Stand & Rock
2. Trailer Load A Girls
3. Love Punaany Bad
4. Where Does Slackness Come From
5. Roots & Culture

RUN / HENCH

Its one thing to mastermind one hugely successful midweek night, but add to that the creation of another massive monthly midweeker too and you really have to respect the promotion team behind D&B party Run and Dubstep throwdown HENCH. It’s easy to forget Run sometimes given its weekly presence in the city, but without fail week in, week out it packs the ravers into Native to witness a seemingly endless conveyor belt of D&B royalty - on a Tuesday no less. Its one of the few nights in Bristol which has a reputation outside of the city, something which is becoming progressively harder to achieve in this day and age.

Discussing Run cant be done without mentioning its sister night HENCH, one of only a handful of genuine Dubstep nights in Bristol. HENCH has raised the bar for other promoters in terms of its bookings and vibe, and after moving from a mid-week to a weekend and now on to Native, 2009 is going to be a massive year for the twin promotions.

GIMMIE SHELTER!

Bristol is a city in a state of sonic flux right now, and the more traditional nights are losing crowds to the multi-genre super events where you can taste all your favourite rave flavours under one roof. So it’s heart-warming to witness the rising success of a genuinely idiosyncratic promotion that has character in abundance. Gimmie Shelter is another weekly event in an unlikely home at the top of the Hatchet pub, but promoter John The Mod has been tirelessly carving himself out a niche there for some years now. Offering up to two bands per week and then the eclectic selections of John himself, it’s a rare jewel in a city increasingly bereft of creativity and individuality.

PENGUIN DANCE

Personality is often missing in the multimedia viscera of promotion, where anodyne plaudits and nepotistic backslapping mask the empty gestures of an industry drip-fed on hyperbole. So it’s a rare treat when a night like Penguin Dance slips through the dire morass of identikit promotions – with a twisted sense of humour and a sincere sense of creativity in their work, the night has justifiably grown to become a success. Something they’ve never been afraid of is ambition – with large scale events and collaborations with growing audio-visual network Five|On|One already under their collective belt in 2008, it will be a pleasure to see what they conjure up this year.

SEASON FIVE

Season Five has grown exponentially from its roots as a mid-week D&B and Dubstep event to take on the weekend market with success. With a core team of dedicated and talented residents and an intelligent, progressive booking policy, the night has serious potential to go on to become one of the biggest and best nights in Bristol in 2009. As fewer and fewer genre-focused nights are emerging, it’s a brave move to concentrate on specific strands in sound. But Season Five has a clear identity about itself and one that will serve it well this year.

DISSIDENT

With only a handful of events this year to consider, what you have to look to is the amount of praise those events created. From a team who have the depth of experience and knowledge in the scene to create incredible promotions, everything about Dissident is on point. From the incredible, inspiring artwork of their flyers to the sheer quality of their line-ups and attention to detail, its no wonder Dissident has become one of the best-loved promotions in Bristol.

WEAPON OF CHOICE

Ostensibly a variation on the Secret Wars idea, Weapon Of Choice had a good year in 2008. The premise of live graffiti and live Hip Hop went on to mutate into utilising Dubstep and other genres, with the completed artwork being auctioned off at the incredibly successful Graffle events. From the ground up, Weapon Of Choice has a perfect combination of visual and audio alongside a well suited home in Mr.Wolf’s. Another mid-week event that belies its location in the week with a huge following, WOC promoter Cheba will have his hands full in 2009 if its increasing popularity is anything to go by.

BODYNOD

Pretty much the only dedicated garage night in Bristol, Bodynod has suffered in the past at the hands of the rampant ignorance present in the city toward the genre. However, as a genre revival of sorts followed in from 2007 to last year, the event’s fortunes were revived, first with a massively successful event at Warehouse, followed by two incredible parties at Native. Drawing together the best elements of the sound be it UKG, Funky, Bassline and beyond, the vibe at Bodynod is simply the best in Bristol. With a truly passionate promoter in Adam Telford organising the show, it’s a given that 2009 will see big things for the night.

BREAK!!!

Break has one of the strangest booking policies in the city, but is all the better for it. Whilst some nights are content to drop a pin in the latest list of an agent’s special offers and serve it up as something incredible, Break have trod their own path with some genuinely inspired bookings this year. 2008 saw some increasingly ambitious events from the promotion, not least of all it’s NYE link up between Clockwork and Blue Mountain. Its one thing to host large events but it’s another to take risks with that format; Break does both and has taken the formula off into bold new directions.

FUNK FROM THE TRUNK

Every month up at the Golden Lion, the Funk From The Trunk crew have been steadily building a loyal base of supporters with their blend of live music and quality DJs. It might not be the biggest rave in town, or play Dubstep on seven million speakers, but FFTT has a genuine desire to showcase the best music around and is all the better for it. 2008 was a consolidating year for the hard-working promotion team behind the night, and BUG fully expects them to take the event even further in 2009.